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Mikrofony DPA z serii 4061 mają średnicę tylko 5.4mm, ale zaskoczą każdego najwyższą jakością dźwięku, dzięki autorskiej technologii CORE by DPA, którą są napędzane. DPA z serii 4061 dostępne są w kolorach czarnym, białym, beżowym i brązowym ze złączami MicroDot, 3-Pin LEMO, TA4F Mini-XLR oraz Mini-Jack. Dostępne są również wszelkie adaptery.Wyjątkowa jakość dźwięku DPATechnologia CORE by DPANiewielki rozmiar dla łatwego ukrycia mikrofonuJednolity, spójny dźwięk pomiędzy mikrofonami DPAWytrzymała konstrukcjaIP58Duży wybór akcesoriów i adapterówSeria DPA 4061 i 4060 różnią się pod względem maksymalnego SPL i czułości oraz nieznacznie pod względem szumów oraz zniekształceń. Poniżej lista różnic pomiędzy nimi:Sensitivity, nominal, ±3 dB at 1 kHz: 20 mV/Pa; -34 dB re. 1 V/Pa Seria 4060Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa Seria 4061Equivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A)) Seria 4060Equivalent noise level, A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A)) Seria 4061Equivalent noise level, ITU-R BS.468-4: Typ. 35 dB (max. 38 dB) Seria 4060Equivalent noise level, ITU-R BS.468-4: Typ. 38 dB (max. 40 dB) Seria 4061Distortion, THD < 1% – CORE: 126 dB SPL RMS, 129 dB SPL peak Seria 4060Distortion, THD < 1% – CORE: 134 dB SPL RMS, 137 dB SPL peak Seria 4061Dynamic range – Legacy: Typ. 100 dB Seria 4060Dynamic range – Legacy: Typ. 97 dB Seria 4061Dynamic range – CORE: Typ. 106 dB Seria 4060Dynamic range – CORE: Typ. 111 dB Seria 4061Max. SPL, THD 10%: 134 dB SPL peak Seria 4060Max. SPL, THD 10%: 144 dB SPL peak Seria 4061Są to jedyne różnice pomiędzy tymi seriami, zatem wszelkie akcesoria pasujące do serii DPA 6060, będą pasować również do serii DPA 6061.Model 4061, to wstępnie spolaryzowany miniaturowy mikrofon pojemnościowym o charakterystyce dookólnej. Wyposażony jest w 5.4-milimetrową membraną, specjalnie zaprojektowaną dla uzyskania maksymalnej wydajności w trudnych warunkach, np. w przypadku umiejscowienia mikrofonu na ludzkim ciele. Podczas projektowania tego modelu szczególną uwagę poświęcono jego odporności na wilgotność.Akcesoria kompatybilne z DPA serii 4061Osłonka przeciwwietrzna (DPA DUA0560)Podwójny klips 2-kierunkowy (DPA SCM0032)Pojedynczy klips 4-kierunkowy (DPA SCM0013-B)Interfejs audio (DPA MMA-A)Element maskujący (DPA DMM0021)Gąbka mikrofonowa (DPA DUA0560)Zestaw kolorowych gąbek mikrofonowych (DPA DUA0570)Uchwyt mikrofonowy do instrumentów smyczkowych (DPA MHS6005)Gęsia szyjka (DPA GM1600)Zestaw akcesoriów (DPA DAK4060)Dostępne adaptery MicroDot:Audio-Technica ATW-T3201, ATW-T5201, ATW-T6001S (DPA DAD6040)AKG PT60/80/81/400/450/4000, Samson UT1L, VT2L (DPA DAD6017)AT ATW-T101 [U100], Lectrosonics UHF [Low Level] (DPA DAD6021)Audio Ltd. EN2 Mini TX (DPA DAD6035)Audio Ltd. TX 2000/TX 2020/TX 2040 (DPA DAD6004)Audio-Technica ATW-T1000 D/ATW-T310/AEW-T1000/ATW-T701 (DPA DAD6033)Beyerdynamic OPUS and Mipro (DPA DAD6032)Lectrosonics LM, SM, UM Series [for Low DC Microphone] (DPA DAD3056)Adapter z klipsem na pasek z MicroDot na 3-pin XLR (DPA DAD6001-BC)Adapter z klipsem na pasek i filtrem low-cut roll-off z MicroDot na 3-pin XLR (DPA DPA DAD4099-BC)Ramsa WX-RP410 (for Low DC Microphone) (DPA DAD3051)Sennheiser Evolution/G2/G3/D1, X2 Digital Wireless, Audio Ltd En2 TX (DPA DAD6034)Sennheiser SK 50/250/3063/5012/6000/9000 (DPA DAD6003)Shure, Axient Digital, TOA, PGX1, Line 6 (DPA DAD6010)Sony DWT-B01/WRT820/WRT860/WRT8 (DPA DAD6008)Sony Freedom WRT 805 (DPA DAD6019)TOA WM360/4310 (for Low DC Microphone) (DPA DAD3050)Zaxcom TRX900 (for Low DC Microphone) (DPA DAD3057)Opis ENG:This series contains the 4060, 4061, 4062, 4063 and 4071 Omni Miniature Mics. Each version is tailored towards a specific application based on sensitivity, voltage and placement needs. They are all based on the original 4060; the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones. All of the mics in the series share important basic features, but each is optimized for particular applications.The series was developed to withstand the toughest of conditions. They contain a 5.4 mm diameter pre-polarized condenser element with a vertical diaphragm. This unique, Double Vent Protection System makes the mics greatly resistant to humidity and sweat. These mics are also designed with a Kevlar-reinforced cable relief, which is built to withstand the constant twists, bends and pulls that are part of the everyday use in harsh environments.The acoustic response of the 4060 Series can be modified by selecting the correct grid for the job. Two grids are supplied with each microphone (not the 4071, which includes a fixed grid). The pre-fitted Soft Boost Grid gives a 3 dB soft boost at 8-20 kHz. It should be used when the microphone is mounted on the performer’s head as well as in most other applications where you need a natural-sounding microphone. When fitted, the High Boost Grid introduces a 10 dB soft boost around 12 kHz for applications where the microphones chest-placement is preferred. Both of these grids are made of anodized stainless steel, giving a tough and scratch resistant surface. They can be detached from the microphone and cleaned of sweat, makeup, etc.4060 Miniature Omnidirectional Microphone, Normal SPLThis microphone is small in size, but mighty in flexibility. Due to its miniature size, it exhibits an exceptionally accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup. The omnidirectional pattern also makes it less sensitive to handling noise as well as pop and wind noise.We originally designed this microphone for use with wireless systems in theaters but today it is one of the most loved mics for television and film applications as well. It is especially suited for capturing speech in all of its nuances and can be used to close-mike a wide range of instruments. This microphone handles sound pressure levels up to 134 dB before clipping occurs. This mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise. The 4060 Miniature Omnidirectional Micropone, Normal SPL is available in four colors: black, brown, beige and white. An even more robust, heavy-duty version is also available.4061 Miniature Omnidirectional Microphone, Loud SPLThis microphone is acoustically identical to the 4060 Miniature Omnidirectional Microphone, Normal SPL, but its sensitivity is adjusted to accommodate higher sound pressure levels (SPLs).The 4061 Miniature Omnidirectional Microphone, Loud SPL can handle SPL up to 144 dB peak before clipping, making it one of the best miniatures for use on very loud sound sources, such as some instruments and human voices.In comparison, the 4061 is about 10 dB less sensitive than the 4060 and therefore works well when used for hidden applications, for example mounted on the head or forehead of a theater performer. In this placement, the sound pressure level is about 10 dB louder than what you encounter with chest placement (lapel microphone). This mic is available in four colors: black, brown, beige and white. An even more robust, heavy-duty version is also available4062 Miniature Omnidirectional Microphone, Extreme SPLThis mic is similar to the others in this series, but is sensitivity adjusted to match extremely loud sound pressure levels. With the correct power source, the microphone will be able to handle sound pressure levels up to 154 dB before clipping occurs, making it ideal for close-miking drums and brass. The microphone is also the perfect choice for miking in the engine compartment of cars or directly in the exhaust pipes. The 4062 Miniature Omnidirectional Microphone, Extreme SPL; is available in two colors: black and beige.4063 Miniature Omnidirectional Microphone, Loud SPL and Low voltageThe 4063 Miniature Omnidirectional Microphone, Loud SPL and Low voltage is designed for use with transmitters giving only 3V bias voltage. Some transmitters provides only 3V instead of the more common 5V. In this case, the 4063 is the right choice for such transmitters.The mic is acoustically identical to the 4060 Miniature Omnidirectional Microphones but its internal preamplifier in the input stage is designed for working with lower supply voltage. With the correct power source, the microphone will be able to handle sound pressure levels up to 138 dB before clipping occurs. This mic is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.4071 Miniature Omnidirectional Microphone, Presence BoostThe 4071 Miniature Omnidirectional Microphone, Presence Boost is a fantastic lavalier mic, which features a presence boost of typically 5 dB at 4 to 6 kHz. This is critical for a chest-placed microphone because the frequency range of the consonants spoken is damped in this position, which results in poor intelligibility. The 4071 has a boost that maximizes speech intelligibility. This microphone will be able to handle sound pressure levels up to 144 dB before clipping occurs.When recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut at 100 Hz has been incorporated in the 4071’s capsule so the built-in preamplifier (and the wireless system) will have a much larger headroom. Furthermore, the low-cut filter removes low-frequency rumble, noise and proximity effect.Because of its special optimization for speech, this mic is especially appropriate for ENG news crews since very few ENG mixers have the ability to make this type of compensation. It is also a fantastic choice for in-studio reporters or even hidden under clothing for film production use. The 4071 is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.A bit about omnisAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.Specyfikacja:Directional pattern: OmnidirectionalPrinciple of operation: PressureCartridge type: Pre-polarized condenserFrequency response: 20 Hz – 20 kHzEffective frequency range ±2 dB: Soft boost grid: 20 Hz – 20 kHz, 3 dB soft boost at 8 – 20 kHz. High boost grid: 20 Hz – 20 kHz, 10 dB boost at 12 kHzSensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/PaEquivalent noise level, A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))Equivalent noise level, ITU-R BS.468-4: Typ. 38 dB (max. 40 dB)Distortion, THD < 1% – Legacy: 120 dB SPL RMS, 123 dB SPL peakDistortion, THD < 1% – CORE: 134 dB SPL RMS, 137 dB SPL peakDynamic range – Legacy: Typ. 97 dBDynamic range – CORE: Typ. 111 dBMax. SPL, THD 10%: 144 dB SPL peakRated output impedance: 30 – 40 ΩCable drive capability: Up to 300 m (984 ft) with DAD6001-BC XLR AdapterPower supply (for full performance): For wireless systems: Min. 5 V – max. 10 V through DPA adapter. With DAD6001-BC: P48 (Phantom Power). Will work from 12 VCurrent consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR AdapterConnector: MicroDot, TA4F Mini-XLR, 3-pin LEMO, Mini-JackColor: Black, beige, brown or whiteWeight: 7.5 g (0.26 oz) incl. Cable and MicroDot connectorMicrophone diameter: 5.4 mm (0.21 in)Microphone length: 12.7 mm (0.5 in)Cable length: 1.8 m (5.9 ft)Polarity: Positively increasing sound pressure produces positive going voltage on MicroDot pinTemperature range: -40°C to 45°C (-40°F to 113°F)Relative humidity (RH): Up to 90%Sensitivity selection tolerance (at 1 kHz): ±1.5 dB
DPA Microphones
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